Sinema tarihinin en iyi filmlerinden kabul edilen Schindler'in Listesi filminin detayları hakkında wikipedia'yı, ekibi ve diğer bilgileri için imdb'yi, farklı bir bakış açısıyla yorumlayabilmek adına ekşisözlük'ü ziyaret edebilirsiniz. Biz konumuz gereği senaryo yazmak, bir yerden başlamak veya konu hakkında araştırma yapanlar için En İyi Film, En İyi Yönetmen, En İyi Senaryo, En İyi Görüntü Yönetmenliği, En İyi Müzik, En İyi Kurgu, En İyi Sanat Yönetmenliği gibi birçok dalda Oscar Ödülüne sahip olduğu için örnek olarak Schindler's List filmini vermeyi uygun bulduk. Sizinde konumuza uygun olduğunu düşündüğünüz örnek filmleriniz varsa yorumlar kısmında bizimle paylaşabilirsiniz.
SCHINDLER'S LIST
SCHINDLER'S LIST
Screenplay by
STEVEN ZAILLIAN
Based on the novel by
THOMAS KENEALLY
Directed by
STEVEN SPIELBERG
First Revision
March, 1990
1. IN
BLACK AND WHITE: 1.
TRAIN WHEELS grinding
against track, slowing. FOLDING TABLE LEGS
scissoring
open. The LEVER of a train door being pulled. NAMES
on lists on clipboards
held by clerks moving alongside the
tracks.
CLERKS
(V.O.)
...
Rossen ... Lieberman ... Wachsberg ...
BEWILDERED RURAL FACES
coming down off the passenger train.
FORMS being set out on
the folding tables. HANDS straightening
pens and pencils and ink
pads and stamps.
CLERKS
(V.O.)
...
When your name is called go over there ...
take
this over to that table ...
TYPEWRITER KEYS rapping
a name onto a list. A FACE. KEYS typing
another
name. Another FACE.
CLERKS
(V.O.)
...
you're in the wrong line, wait
over
there ... you, come over here...
A MAN is taken from one
long line and led to the back of another.
A HAND hammers a rubber
stamp at a form. Tihgt on a FACE. KEYS
type another
NAME. Another FACE. Another NAME.
CLERKS
(V.O.)
...
Biberman ... Steinberg ... Chilowitz ...
As a hand comes down
stamping a GRAY STRIPE across a registration
card, there is absolute
silence ... then MUSIC, the Hungarian
love song, "Gloomy
Sunday," distant ... and the stripe bleeds
into COLOR, into BRIGHT
YELLOW INK.
2. INT. HOTEL
ROOM - CRACOW, POLAND - NIGHT. 2.
The
song plays from a radio on a rust-stained sink.
The light in the room is
dismal, the furniture cheap. The
curtains are faded, the
wallpaper peeling ... but the clothes
laid out across the
single bed are beautiful.
The hands of a man
button the shirt, belt the slacks. He slips
into the double-breasted
jacket, knots the silk tie, folds a
handkerchief and tucks
it into the jacket pocket, all with great
deliberation.
A
bureau. Some currency, cigarettes, liquor, passport. And
an
elaborate gold-on-black
enamel Hakenkreuz (or swastika) which the
gentleman pins to the
lapel of his elegant dinner jacket.
He steps back to
consider his reflection in the mirror. He likes
what he
sees: Oskar Schindler - salesman from Zwittau - looking
almost reputable in his
one nice suit.
Even in this awful room.
3. INT. NIGHTCLUB
- CRACOW, POLAND - NIGHT. 3.
A spotlight slicing
across a crowded smoke-choked club to a small
stage where a cabaret
performer sings.
It's September,
1939. General Sigmund List's armored divisions,
driving north from the
Sudetenland, have taken Cracow, and now,
in this club, drinking,
socializing, conducting business, is a
strange clientele: SS
officers and Polish cops, gangsters and
girls and entrepreneurs,
thrown together by the circumstance of
war.
Oskar Schindler,
drinking alone, slowly scans the room, the
faces, stripping away
all that's unimportant to him, settling
only on details that
are: the rank of this man, the higher rank
of that one, money being
slipped into a hand.
A WAITER SETS DOWN DRINKS
in front of the SS
officer who took the money. A lieutenant,
he's at a table with his
girlfriend and a lower-ranking officer.
WAITER
From
the gentleman.
The waiter is gesturing
to a table across the room where
Schindler, seemingly
unaware of the SS men, drinks with the best-
looking woman in the
place.
LIEUTENANT
Do
I know him?
His
sergeant doesn't. His girlfriend doesn't.
LIEUTENANT
Find
out who he is.
The sergeant makes his
way over to Schindler's table. There's a
handshake and introductions
before - and the lieutenant,
watching, can't believe
it - his guy accepts the chair
Schindler's dragging
over.
The lieutenant waits,
but his man doesn't come back; he's
forgotten already he
went there for a reason. Finally, and it
irritates the SS man, he
has to get up and go over there.
LIEUTENANT
Stay
here.
His girlfriend watches
him cross toward Schindler's table.
Before he even arrives,
Schindler is up and berating him for
leaving his date way
over there across the room, waving at the
girl to come join them,
motioning to waiter to slide some tables
together.
WAITERS ARRIVE WITH
PLATES OF CAVIAR
and another round of
drinks. The lieutenant makes a half-hearted
move for his wallet.
LIEUTENANT
Let
me get this one.
SCHINDLER
No,
put it away, put it away.
Schindler's already got
his money out. Even as he's paying, his
eyes are working the
room, settling on a table where a girl is
declining the advances
of two more high-ranking SS men.
A
TABLECLOTH BILLOWS
as a waiter lays it down
on another table that's been added to
the
others. Schindler seats the SS officers on either side of
his own "date"
-
SCHINDLER
What
are you drinking, gin?
He motions to a waiter
to refill the men's drinks, and, returning
to the head of the
table(s), sweeps the room again with his eyes.
A
ROAR OF LAUGHTER
erupts from Schindler's
party in the corner. Nobody's having a
better
time than those people over
there. His guests have
swelled to ten or twelve
- SS men, Polish cops, girls - and he
moves among them like
the great entertainer he is, making sure
everybody's got enough
to eat and drink.
Here, closer, at this
table across the room, an SS officer
gestures to one of the
SS men who an hour ago couldn't get the
girl to sit at his
table. The guy comes over.
SS
OFFICER 1
Who
is that?
SS
OFFICER 2
(like
everyone knows)
That's
Oskar Schindler. He's an old
friend
of ... I don't know, somebody's.
A
GIRL WITH A BIG CAMERA
screws in a
flashbulb. She lifts the unwieldy thing to her face
and
focuses. As the bulb flashes, the noise of the club suddenly
drops out, and the
moment is caught in BLACK and WHITE: Oskar
Schindler, surrounded by
his many new friends, smiling urbanely.
4. EXT. SQUARE
- CRACOW - DAY. 4.
A photograph of a face
on a work card, BLACK and WHITE. A typed
name, black and
white. A hand affixes a sticker to the card and
it saturates with COLOR,
DEEP BLUE.
People in long lines,
waiting. Others near idling trucks,
waiting. Others
against sides of buildings, waiting. Clerks
with clipboards move
through the crowds, calling out names.
CLERKS
Groder
... Gemeinerowa ... Libeskind ...
5. INT. APARTMENT
BUILDING - CRACOW - DAY. 5.
The
party pin in his lapel catches the light in the
hallway.
SCHINDLER
Stern?
Behind Schindler, the
door to another apartment closes softly. A
radio, somewhere, is
suddenly silenced.
SCHINDLER
Are
you Itzhak Stern?
At the door of this
apartment, a man with the face and manner of
a Talmudic scholar,
finally nods in resignation, like his number
has just come up.
STERN
I
am.
Schindler offers a
hand. Confused, Stern tentatively reaches for
it, and finds his own
grasped firmly.
.....................
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